A SELECTION OF REVIEWS…

Kamal, played by Ulrika Krishnamurti in a subtle, moving performance, is a nervous young mother and salon cleaner whose covering of cuts and bruises rings alarm bells. - Writers Mosaic, 2022

Ulrika Krishnamurti delivers a particularly haunting performance as the vulnerable Kamal. - The Stage, 2022

“Krishnamurti’s performance scorches the stage as she recounts the rape: she folds into herself, her face contorts with repulsion and the vowel of the word “no” oozes out of her.“ - The Guardian- Pink Sari Revolution, 2017

“Ulrika Krishnamurti is impressive in a range of roles, from Sampat’s diligent daughter, Champa, to the tortured Sheelu. Her portrayal of the hollowness of despair is profound and heartbreaking.” - Not Exactly Billington - Pink Sari Revolution, 2017

“Ulrika as Aditi is unbeatable. Her outstanding performance gives a wider picture of those rural women in India for whom renting their wombs is an escape route…” - The Hindustan Times - Made in India, 2017  

“Ulrika Krishnamurti as Aditi stands out. Her physicality shifts over the course of the play as she becomes weighted down by the burden of carrying someone else’s children. She’s incredibly affecting as she fruitlessly pleads to be rid of the twins in her womb.” - The Stage - Made in India, 2017

“As Aditi, Krishnamurti gives a profoundly moving performance as her body adapts to poverty, pain and pregnancy.” - The Times -Made in India, 2017

“Her transformation from village girl to a pawn on an international stage and back again is remarkable: she is a wonderful performer.” - The Courier - Made in India, 2017

“No stranger to controversial subject matter, Ulrika Krishnamurti successfully captures the stark contrast of the delicate mannerisms and retiring nature of the Aditi we first meet versus the powerful girl who retains a degree of control over her exploitation later on.” - The Reviews Hub - Made in India, 2017

“What follows is a revelation of the women’s characters under pressure - brilliantly multifaceted performances.” - The Guardian - Made in India, 2017

“One actor… a  thin string, representing the dividing line between the actor and the audience. The line soon disappears with the powerhouse performance by Ulrika Krishnamurti… you are in her mind. A must see experience with a new emerging actor.“- Shekhar Kapur, filmmaker - Echoes within Walls, 2016

“A special mention must go to established actress, Ulrika Krishnamurti, who gave a captivating portrayal of Anna- the social climbing Mayor’s wife. Ulrika has learnt the art of commanding an audience with subtle use of facial expression and comedic sexual innuendo. She really is a world class talent who’s performance lit up the stage.” - Essential Surrey- The Government Inspector, 2016

“Ulrika Krishnamurti, essaying the lead character, remains oblivious of the camera placed in front of her.” - The Hindu - The Anushree Experiments, 2016

“Ulrika Krishnamurti, who played the lead, is a revelation.” - Telugu One - The Anushree Experiments, 2016

“Ulrika… lends a voice which is instantly relatable to. One ends up rooting for her till the end (which in itself is a huge achievement for a movie running on her shoulders), because of the subtle and poignant vulnerability and imperative steely will she projects.” - Wirally - The Anushree Experiments, 2016